Anthony Roth Costanzo (ének) és az Orfeo Zenekar / BARTÓK TAVASZ 2022
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Last event date: Thursday, April 07 2022 7:30PM
Handel: Theodora – Overture, HWV 68
Handel: Amadigi di Gaula – Pena tiranna, HWV 11
Handel: Theodora – Trio (Larghetto e piano), HWV 68
Handel: Flavio, King of the Lombards – Rompo i lacci, HWV 16
Handel: Concerto Grosso in C minor, Op. 6, No. 8 – Adagio, Siciliano, HWV 326
Handel: Ptolemy, King of Egypt – Stille amare, HWV 25
Handel: Concerto Grosso in B flat major, Op. 6, No. 7 – Largo, Allegro, HWV 325
Handel: Rodelinda, Queen the Lombards – Vivi tiranno, HWV 19
Handel: Theodora – Largo, HWV 68
Handel: Rodelinda, Queen the Lombards – Io t’abbraccio, HWV 19
Gluck: Orpheus and Eurydice – Act II–III (Viennese version, 1762)
Featuring: Réka Kristóf [10, 11], Ágnes Pintér [11] – soprano, Orfeo Orchestra, Purcell Choir
Conductor: György Vashegyi
Musical America’s 2019 Vocalist of the Year, Anthony Roth Costanzo is one of today’s most compelling performing artists. The countertenor is as much at home in the world of contemporary music as in the baroque and classical repertoire. He has recently sung such iconic roles of his vocal type as Apollo (Britten: Death in Venice), the Angel (Kaija Saariaho: Only the Sound Remains), Akhnaten (Philip Glass), and Prince Go-Go (Ligeti: Le Grand Macabre). His memorable performances of Handel characters include the title role of Julius Caesar in Egypt, and Armindo in Partenope. Appearing now as a guest of György Vashegyi and his ensembles, he selects from roles that spotlight his versatility as a performer.
Behind the ‘pop music in a time machine' concept are arrangements of familiar contemporary pop hits and golden-oldies that are swinged-, jazzed- and doo-wopped-up before being planted in Motown-sounding soul. This simple but wonderful idea is one that works perfectly.
Honeybeast, who explore the boundaries of funk and funky pop and rock have enjoyed countless albums and hits. The 2014 track A legnagyobb hős (The Greatest Hero) was a particularly highlight, racking up 24 (!) million views.
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Frank Wildhorn musicalje és Homonnay Zsolt rendezése a nő örök, csábító szenvedélyességét, a férfi és a nő ösztönös és csillapíthatatlan…
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