Star recitals with piano accompaniment: Ramón Vargas
Song and aria recital in two parts, with Hungarian and English surtitles
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Program
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Last event date: Sunday, January 29 2023 7:30PM
This format was made necessary by life. By size, the Ybl Palace is one of the medium-sized opera houses, but in terms of beauty it is first class, which we further enhance by lighting it gorgeously. On its podium, or the top of its orchestra pit, the soloist can stand almost fully surrounded by the audience, and accompanied by our brand new Steinway – and of course an instrumentalist partner – he can give a most memorable recital featuring his favourite opuses for voice as well as his sensitively interpreted opera arias in the second part after the interval. Although the Mexican tenor does not appear on the front pages, he has achieved fame with his beautifully coloured lyrical voice, and who would have thought that by the time he steps on our opera stage again, he will be well into the fourth decade of his career! Vargas sticks to his specialization carefully planning his roles, and also feels at ease performing songs calling for more elaborate interpretations.
Featuring Ramón Vargas (tenor) and Mzia Bachtouridze (piano)
PROGRAMME
MOZART: Don Giovanni – “Il mio tesoro” – Don Ottavio's aria from Act 1
CILEA: L'arlesiana – “È la solita storia del pastore” – Federico's aria from Act 2
PUCCINI: Tosca – “Recondita armonia” – Cavaradossi's romance from Act 1
TCHAIKOVSKY: Eugene Onegin – “Kuda, kuda” – Lensky's aria from Act 2
MASCAGNI: Cavalleria rusticana – “Ave Maria” (piano version)
TOSTI:
Ideale
Non t'amo più
ROSSINI: La tarantella
INTERVAL
NARDELLA: Dicitencello vuie (Neapolitan song)
BIXIO: Parlami d'amore Mariù (Neapolitan song)
CARDILLO: Core 'ngrato (Neapolitan song)
KANCHELI: Melodia
LARA:
Amor de mis amores (Mexican song)
Oración caribe (Mexican song)
GREVER: Cuando vuelva a tu lado (Mexican song)
MANZANERO: Somos novios; Esta tarde ví llover – medley
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The Great Dictator, Charlie Chaplin’s most influential work, is a deeply humanistic piece of cinematic art.
Az előadás a műfajtól megszokott módon nincs híján humornak, játékosságnak, A mosoly országa a kibékíthetetlen világnézeti ellentétek, kulturális és társadalmi különbségek komoly kérdéseit járja körül, és ez a világ első operettje, mely nem vidám végkifejlettel zárul.
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